Why the Oscars have no clue what they’re doing.

It’s that time of the year again. Hollywood millionaires cluster up in their masses to sit for 4 hours and fake smile when they lose after getting their hopes up. Just like most awards, most award shows are pointless, and at the centre, lies the Oscars. And for years now, the Academy have no clue how to run it.

 

Take 2016’s ceremony for example. Everyone remembers that as the #Oscarssowhite one. That’s the only way people remember it. 2017’s too. That was the ‘La La Land/ Moonlight’ one. What made those iconic was an unplanned event. Truly says something, when the most memorable aspect of your ceremony was an accident. And why? Because the Oscars bathe in publicity.

 

This years Oscars had the Academy announcing several changes. First was it’s infamous ‘Popular Film’ category that was announced then revoked. Most recently, the Academy announced that 3 of the most important awards – Cinematography, Editing and Sound – were to be given out during the ad breaks. Yet, no doubt we’ll have to sit through more fannying about on a trip to the cinema again like last year.

 

The Academy’s main issue is they’re too scared of their audience. Probably explains why a film like ‘Bohemian Rhapsody’ – a film hated by film experts but loved by the majority of audiences – got nominated. But if that film came out a year earlier (being directed by Bryan Singer, who has multiple allegations of paedophilia and sexual assault) in the heat of the #MeToo movement, the Academy would avoid it like the plague. Same with Black Panther, as great a film it is, you can’t help but feel its simply a publicity move to get comic book fans on board with them. But the truth is, The Academy are outdated. In a time right now, when film tastes are diverse, so should The Academy. Instead of trying to please the majority, make an awards show for the individuals.

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The Oscars are back on Sunday 24th February.

Top 5 Films – No.1. Moonlight (2016)

Now I’ve seen many, many films in my short 18 years on earth. As a media student at university, films are so important to me. Films are something of a medium that can transcend and take you to any level of emotion once you connect with it. Film are a way of life for me. Many films come and go and often some will stick with me long after I’ve left the cinema. And that is just what my No. 1 film does. I will confess, I regret not seeing this in the cinema first time, and it was only on my second watch that I truly knew that was sheer perfection. And that is why, 2017’s Best Picture winning Moonlight, is my all-time favourite film. It is the closest thing to perfection there is.
I am neither black or gay, nor do I live in poverty in Miami, but I was able to connect to this film like no other, not for those specific themes, but for the one overarching theme: identity. During our lives we all have moments where we contemplate our own identity. Moonlight doesn’t provide us with that answer. Except urges us to explore it ourselves. It says that we are not defined by anything in our lives.
For those who are unfamiliar with Moonlight, or only know of its existence because of the La La Land mix up, the film follows Chiron through 3 stages in his life: Childhood, Adolescence and Adulthood. Shot with beautiful cinematography and haunting story beats, Moonlight lets us see into the world of Chiron, based on a play by Tarell Alvin McCraney. Whether it be his abuse mother or his struggles with his sexuality during his teenage years, by the end of the film, we feel we know Chiron. We can feel what he’s feeling, and we can connect with his pain. Moonlight is a remarkable film, it is filmmaking at its best and lets us have a glimpse, and even sympathise, with a life we do not know.

 

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Character posters for Moonlight (2016)

 

 

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